SIBMAS - International Association of Libraries and Museums of the Performing Arts

Index of all talks given at SIBMAS Congresses 1959-2004

Listed below are all the talks from the SIBMAS Congresses from 1959 to 2004, arranged by the person who gave the talk. Under the names of the authors, the arrangement is chronological.

A B C D E F G H I J K L M N O P R S T U V W Z

G

Gawrak, Zbigniew (Poland)

• Documentation Cinématographique du Théâtre en Pologne. 4, Warsaw, 1959, pp. 18-20

Girardin, Monique (France)

• Une collection théâtrale générale et ses fichiers: Fiches d'orientation - Une source d'information: les annuaires de théâtre. 7, Amsterdam, 1965, pp. 46-58
• Examen et analyse de documents relevants de la pratique théâtrale. 9, Genoa, 1970, pp. 33-52

Giteau, Cécile (France)

• Valeur documentaire et catalogage des diapositives de décors et de costumes. 5, Paris, 1961, pp. 87-90
• Lexique international des termes concernant la documentation théâtrale. 6, Munich, 1963, pp. 31-32
• Les collections générales de théâtre et leurs fichiers. 7, Amsterdam, 1965, pp. 31-37
• Documentation et arts du spectacle, Elaboration d'un lexique trilingue (français-anglais-allemand). 8, Budapest, 1967, pp. 79-82
• Pour un glossaire historique des arts du spectacle. 9, Genoa, 1970, pp. 119-122
• Prospective documentaire: vers une banque internationale de données dans le domaine des arts du spectacle. 10, Brussels, 1972, pp. 31-40
• Eléments d'un bilan des travaux en cours pour le traitement des documents audiovisuels: perspectives ouvertes à la SIBMAS. 11, Copenhagen, 1974, pp. 47-51
• Models of Scenery and Costumes in the Performing Arts Department of the Bibliothèque Nationale, Paris. 15, New York, 1982, pp. 55-58
• Le départment des Arts du Spectacle et la Bibliothèque Nationale des Arts. 19, Lisbon, 1992, pp. 11-12
• Création / documentation selon Edward Gordon Craig. 23, Paris, 2000, pp. 19-29

Glaser, Hermann (Germany)

• Über die ästhetische Erziehung des Menschen und die Zukunft der Arbeitsgesellschaft. 17, Mannheim, 1988, pp. 20-33

Gleich, C.C.J. von (Netherlands)

• Le "Répertoire International des Sources Musicales" (R.I.S.M.) et les collections théâtrales. 7, Amsterdam, 1965, pp. 27-28

Golding, Alfred S. (USA)

• Problems and Observations Concerning the Translation of Scenographic Terms from French to English. 15, New York, 1982, pp. 36-40
• The Theatre Collection as a Source of Information for the English Language Première of "A Comedy of Bethrothal" (1550) by Leone de' Sommi, Ebreo. 17, Mannheim, 1988, pp. 120-121
• The "what is where" theatre inventory proposal of the "Big Ten" University Theatre Departments. 12, Vienna, 1976, pp. 49-56
• The Acting Historian as Technologist. 14, Belgrad, 1980, pp. 40-44

Gomez, Joseph Angel (Portugal)

• Declaration of Love to the Theater. 19, Lisbon, 1992, pp. 25-34

Gontard, Denis (Belgium)

• Bérénice, de Racine, dans la mise en scène de R. Planchon: problènes d'enregistrement, de film et de photographie du spectacle en vue de son utilisation pour des cours d'histoire du theatre. 10, Brussels, 1972, pp. 12-15

Göransson, Bengt (Sweden)

• Inaugural Address. 18, Stockholm, 1990, pp. 9-10

Got, Jerzy (Poland)

• La Documentation photographique théâtrale. 4, Warsaw, 1959, pp. 3-11

Gothard, David  (United Kingdom)

• Archive as Palimpsest: Why is Tadeusz Kantor's archive under my bed?. 25, Barcelona, 2004

Gousset, Jean-Paul (France)

• Le petit théâtre de Compiègne: un trésor du patrimoine technique. 23, Paris, 2000, pp. 123-127

Grandjean, Lisbet (Denmark)

• The Influence of the Carl Lund Collection on contemporary Documentation in Danish Stage Settings, 1883-1925. 16, London, 1985, pp. 50-56
• How to Revive a Myth. 18, Stockholm, 1990, pp. 93-94
• Another kind of theatre museums in the 21st century?. 19, Lisbon, 1992, pp. 17-19
• "Hamlet" on view in 2020 - A vision of the future. 20, Antwerp, 1994, pp. 39-40

Green, William (USA)

• The Use of Legal Records in Reproducing Theatrical Performances. 18, Stockholm, 1990, pp. 11-16

Griffin, Janet Alexander (USA)

• "All the World's a Stage" - Theatre and the Collection of the Folger Shakespeare Library in Washington D.C. 16, London, 1985, pp. 95-98

Gropengießer, Eric (Germany)

• Vorwort. 17, Mannheim, 1988, pp. 9-10

Guardia, Alfredo de la (Argentina)

• Organisation d'une discothèque dramatique. 5, Paris, 1961, pp. 79-82

Guerrieri, Gerardo (Italy

• La Duse mimico-gestuale e i fotografi. 9, Genoa, 1970, pp. 83-90

Guibert, Noëlle (France)

• La Comédie Française et ses collections: Les tecniques documentaires à la rencontre de trois siècles d'histoire du théâtre. 19, Lisbon, 1992, pp. 67-69
• Le fonds Georges Pitoëff dans la base BN-opaline. 21, Helsinki, 1996
• Discours d'ouverture. 23, Paris, 2000, pp. 14-17
• Allocution. 23, Paris, 2000, p. 63

Guitart, Joan (Spain)

• Discurs inaugural / Discours inaugural. 13, Barcelona, 1978, pp. 13-14

H

Hainaux, René (Belgium)

• Bibliographie Internationale des arts du spectacle. 8, Budapest, 1967, pp. 97-100
• Rapport final de la Commission de la Bibliographie de Base. 9, Genoa, 1970, pp. 129-132

Hartnoll, Gillian (United Kingdom)

• The National Film Archive with particular reference to the Film Cataloguing Department. 8, Budapest, 1967, pp. 13-26

Hecker, Kristine (Italy)

• The Art of Acting in Past Centuries: Reconstructing what could not be preserved. 18, Stockholm, 1990, pp. 69-76

Heed, Sven Ake (Sweden)

• Documentation et interpretation. Jungfruleken (Les Bonnes) de Jean Genet au Théâtre Royal Dramatique de Stockholm en 1948. 18, Stockholm, 1990, pp. 123-129

Hegemann-Lindencrone, Knud (Denmark)

• O temps, suspends ton vol! Les enregistrements des théâtres de Copenhague - en particulier des archives du Théâtre Royal depuis un quart de siècle. 11, Copenhagen, 1974, pp. 20-27

Helavuori, Hanna (Finland)

• Theatre Museum and Frankensteins: How to Prevent Snow from Melting. 18, Stockholm, 1990, pp. 112-114
• Theatre Museums Faced with a Paradox: Don't just sit on your assets. 20, Antwerp, 1994, pp. 27-28

Henderson, Mary C. (USA)

• Conservation advances in America: The curator as conservator. 13, Barcelona, 1978, pp. 54-60
• Eugene O'Neill and Theatre Collection. 16, London, 1985, pp. 85-87

Hergesic´, Branka (Yugoslavia)

• Bibliothèques et Collections des Arts du Spectacle présentées. 4, Warsaw, 1959, pp. 25-27

Hoefnagels, Lou (Belgium)

• Théâtre on tape. 10, Brussels, 1972, pp. 10-12
• Workshop audiovisuals - L'atelier sur la documentation audiovisuelle. 13, Barcelona, 1978, pp. 73-76

Hofmann, Gustav (Germany)

• Eröffnungsansprache. 6, Munich, 1963, pp. 5-6

Holm, Bent (Denmark)

• Roy Soleil and Prince Mardy Gras. An Interpretation of the Arlequin Jason Prints in the Copenhagen Recueil Fossard. 18, Stockholm, 1990, pp. 57-62

Homering, Liselotte (Germany)

• Einleitung. 17, Mannheim, 1988, pp. 11-16

Hudson, Claire (United Kingdom)

• Charging for information services in UK Museums & Libraries. 20, Antwerp, 1994, pp. 113-115
• The Art of Controlling Demand. 21, Helsinki, 1996
• Backstage – Discovering Performing Arts Resources. (abstract). 24, Rome, 2002
• A Digital Route to new Audiences. 25, Barcelona, 2004

Huelamo, Julio (Spain)

• Le nouveau rôle des sources audiovisuelles de la documentation théâtrale. 25, Barcelona, 2004

Huesmann, Heinrich (Germany)

• The TANDEM Theater Information System. 14, Belgrad, 1980, pp. 80-96

Hugenholtz, P. Bernt (Netherlands)

• The Multimedia Museum - Copyright Problems of the Digital Environment. 21, Helsinki, 1996

Hurez, Léon (Belgium)

• Allocution. 10, Brussels, 1972, pp. 9-10

Huthwohl, Joël (France)

• Le Répertoire des arts du spectacle en France. 23, Paris, 2000, pp. 153-157

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Last modified: 25/01/2005