SIBMAS - International Association of Libraries and Museums of the Performing Arts


EXHIBITIONS

The Stage is set
Austrian Theatre Museum - Vienna
11 November 2009 – 31 December 2010

Throughout the centuries a variety of forms of the stage and the auditorium have been developed. Depending on time and worldview, the importance and the visual design of the theatre space were manifold: In the middle Ages, secular or sacred places are the stage where audience and artists act together. By the time of Renaissance and Baroque, sovereigns, aristocrats and wealthy merchants were building edifices specifically designed for theatrical performances. The exhibition shows various models allowing a better understanding of the evolution and the different styles of staging.


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Serge Diaghilev and the Golden Age of the Ballets Russes, 1909 - 1929 
Victoria & Albert Museum, London
25 September 2010 – 9 January 2011

This major retrospective will examine the origins, development and long term influence of the Ballets russes, to celebrate the centenary of their first appearance in 1909. Diaghilev’s extraordinary company, which survived a twenty-year rollercoaster of phenomenal successes and crippling problems, revolutionised ballet. As importantly, Diaghilev’s use of avant-garde composers, such as Stravinsky and designers such as Bakst, Goncharova, Picasso and Matisse, made a major contribution to the introduction of Modernism


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Thomas Bernhard und das Theater “Austria Herself is Nothing but a Stage” Thomas Bernhard and the Theatre : Salzburg and Vienna
Austrian Theatre Museum - Vienna
5th November 2009 – 4th July 2010

The exhibition marking the twentieth anniversary of Thomas Bernhard’s death offers a comprehensive survey of his work for the theatre, with the focus on the two Austrian cities where many of his plays had their premieres: Salzburg and Vienna. With the help of five plays first performed in these two cities, the exhibition illustrates central aspects of Bernhard’s work for the stage. Numerous documents from the estate of Thomas Bernhard, as well as composition drawings and stage photographs, help to illustrate one of the most exceptional careers in the history of Austrian literature and theatre – one that alternated between spectacular triumphs and headline-grabbing scandals.


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Last modified: 20/06/2010