24th International Conference

24ème Congrès International
24st International Conference

Rome, 2-7 septembre 2002
Rome, September 2-7, 2002

Session I
Different Kinds of Collections

VINCENT RADERMECKER, Archives et Musée de la Littéture Bruxelles (Belgium): En matière d'arts du spectacle, quelle archive, pour quelle vie, au sein d'un organisme vivant ou au sein d'un centre d'archivage ? (abstract)
STEFANO BIANCHI, Civico Museo Teatrale Carlo Schmidl (Italy): La cronologia informatizzata del Teatro Verdi di Trieste (abstract)
MARIA IDA BIGGI, Fondazione Giorgio Cini (Italy): The Institute for letters, theatre and melodrama of the Cini Foundation (abstract)
SIMONA BRUNETTI, Fondazione Mantova Capitale dello Spettacolo (Italy): The Herla Project: Inventorying Gonzaga’s Italian and European documentation on performance (abstract)
MORENO BUCCI, Maggio Musicale Fiorentino (Italy): Gli Archivi del Maggio Musicale Fiorentino
FRANCESCO REGGIANI, Teatro dell’Opera, Rome (Italy): Gli Archivi del Teatro dell’Opera di Roma (abstract)

Session II
Preservation and space organisation

HELEN ADAIR, Harry Ransom Humanities Research Centre, University of Texas (United States): Reorganization of Stack Space in the Performing Arts Collection at the Harry Ransom Humanities Research Center (abstract)
KSENJA RADULOVIC, Museum of Theatre Art of Serbia: Using New Technologies To Overcome the Problem of Museum Space (abstract)

Session III
Networks and online directories

PAUL ULRICH (Germany): SIBMAS International Directory of Performing Arts Collections and Institutions
CHRISTELLE CAZAUX, Bibliothèque Nationale de France: Le Répertoire des arts du spectacle (abstract)
CLAIRE HUDSON, Theatre Museum London (United Kingdom): Backstage – Discovering Performing Arts Resources (abstract)
RICHARD STONE, Performing Arts Special Interest Group (Pasig), Museums Australia: Ausstage (abstract)

Session IV
Digital Collections

INGA LEWENHAUPT, Sveriges Teatermuseum (Sweden): Presentation of the combined databases of Sveriges Teatermuseum (abstract)
WILLEM RODENHUIS, University of Amsterdam (Netherlands): Digitalisation and theatre iconography (abstract)
JOCELYNE PHILIPPEKIN & ALAIN BERTH, Centre d'Information et de Documentation Théâtre de la Maison du Spectacle (Belgium): De la mémoire vivante au fonds documentaire (abstract)
MARIA TERESA IOVINELLI, Biblioteca e Raccolta Teatrale del Burcardo (Italy): The Petrolini Collection: A Project of Multimedia Archive (abstract)
JAN VAN GOETHEM, Théâtre de La Monnaie, Bruxelles (Belgium): C.a.r.m.e.n. Computerised Archival Retrieval in Multimedia Enhanced Networking (abstract)
ADA KOLGANOVA, Russian State Arts Library (Russia): Access to the illustrative graphic arts material of the Russian State Arts library: CD "The Russian service uniform" (abstract)

Session V
Cataloguing the Collections

CLAUDIA BALK & PETRA KRAUS, Deutsches Theatermuseum München (Germany): Does TANDEM still exists? (abstract)
BARRY RUSSELL, Oxford Brookes University (United Kingdom): The CESAR Project: interfacing between libraries and scholars (abstract)
MARGRET SCHILD, Theatre Museum Düsseldorf, Library (Germany): Performing Art Libraries at Düsseldorf (abstract)
JOSÉ CARLOS ALVAREZ, Museu Nacional do Teatro (Portugal): The Matriz software implemented to the collections of the Museu Nacional do Teatro
MARIE-CLAUDE BILLARD, Maison Jean Vilar (France): Traitement informatique des collections relatives au Festival d'Avignon (abstract)
ANISOARA BURLACU - CAMELIA SAVU, cIMeC – Institut de Mémoire Culturelle, Bucarest (Romania): Les arts du spectacle en Roumanie (abstract)