International Association of Libraries and Museums of the Performing Arts

Société Internationale des Bibliothèques et des Musées des Arts du Spectacle

SIBMAS-logo

Actes du XIVe Congrès International des Bibliothèques et des Musées des Arts du Spectacle

Beograd 15-20 septembre 1980.

Beograd : 1982.

ISSN 0361-7500


Workshop:

Museums of the Performing Arts and Theatres

Animator: M. Sinisa Janic

pp. 169-170


M. Janic pointed out that there were two kinds of institutions for documentation:

  1. documents collected on a regional or a national basis; and
  2. archive collections within a theatre.
Everyone recognised the importance of the research carried out in these specialised centres for exhibition or publi city purposes. Many difficulties confronted the museums, theatres and other centres of documentation in pursuing their work, but the chief difficulty was lack of funds.

Many of the older institutions have used their experience to establish satisfactory relations between centres of documentation and theatres. Should these two - the centre and the theatre - co-operate and if so, in which fields?

In Yugoslavia the issue of an annual publication had resulted in a specific kind of methodology concerning the documentation of each theatre. It has proved a very valuable link between the institution and the theatre. In another field we had all seen the results of Audio Visual documentation, recording and screening theatrical performances.

But how could centres separated by many miles arrange for the documentation of performances.

Centres would require to be set up to collect such material and in a future congress one topic worthy of discussion would be how to collect, organise, catalogue and file all such data.

It would also be useful to consider theatre exhibitions, how they were set up, what material had been included and would such material be needed by future historians of the theatre.

We should not be satisfied with what remains of a performance, e.g. photographs (often taken primarily for photographic and not theatrical interest). We must anticipate what data will be needed in the future for the production of much larger works.

In conclusion M. Janic suggested that some recommendation might be put forward for discussion at a future congress.

In the discussion which followed it was generally agreed that M. Janic's suggestion might form the main theme of a future congress.

Meantime it would be useful to establish what happens now in each country and how Centres co-operate one with another within each country.

There was need for a critical assessment of work being carried out in different countries and this assessment should be guided by what is needed by those who seek information.

Some researchers require theoretical, historical and aesthetic documents and libraries can satisfy their needs, but it was a basic necessity that manuscripts, models, designs, etc., should not be dispersed but kept together.

The problem was complex but merited a detailed examination. 
 




URL: http://www.theatrelibrary.org/sibmas/congresses/sibmas80/belgrad_18.html
Information about this site: Maria Teresa Iovinelli, Secretary General
Last modified: 08/01/03

HOME-BIENVENUE

Rules
Statuts

Executive Committee
Comité exécutif

Institutional Members
Membres institutionnels

Joining SIBMAS
Adhérer à la SIBMAS

International Directory
Répertoire international

Congresses
Congrès

National Collections
Collections nationales

Research Sites
Sites de recherche

Partner Organisations
Organisations soeurs

WHAT'S NEW
NOUVEAUTÉS

FORUM