International Association of Libraries and Museums of the Performing Arts

Société Internationale des Bibliothèques et des Musées des Arts du Spectacle

Actes du XIVe Congrès International des Bibliothèques et des Musées des Arts du Spectacle

Beograd 15-20 septembre 1980.

Beograd : 1982.

ISSN 0361-7500

Organizing Committee, pp. 7-8

List of Participants, pp. 9-16

Opening of the Congress

• Eva Steinaa, p. 17
• Branko Radivojevic, p. 17
• Eva Steinaa, p. 18
• Dragovan Jovanovic, p. 19
• Eva Steinaa, p. 20
• Sinisa Janic: Rapport général du secrétaire général du XIVe Congres de la SIBMAS, pp. 21-26

Lectures

• André Veinstein: Méthodologie des documents de Théâtre, pp. 27-39
• Alfred S. Golding: The Acting Historian as Technologist, pp. 40-44
• Marie Françoise Christout: Les documents concernant le costume de théâtre: problèmes d'exploitation, pp. 45-50
• Thomas Siedhoff: Das Urheberrecht als Hindernis in der Dokumentation des Musiktheaters, pp. 51-57
• Nadezda Mosusova: The Staging of Film and Television Opera, pp. 58-61
• Mirka Pavlovic: Contributions from Press Records to the History of the Serbian "Musical Theatre", pp. 62-76
• The Presentation of TANDEM System by the National SIBMAS Center of the Federal Republic of Germany
  1. Harald Zielske: Some Introductory Remarks, pp. 77-79
  2. Heinrich Huesmann: The TANDEM Theater Information System, pp. 80-76
  3. Werner Meder: Demonstration of the Theatre Information System, pp. 97-102

• Patris Pavis: Réflexions sur la notation de la représentation théâtrale, pp. 103-128
• Sophia D. Lokko: The Ghanaian Experimentation in the Reactivation of her Heritage in the Arts with Special Reference to the Performing Arts, pp. 129-137
• Sredoje Lalic: Organizing Documentary Materials According to the Systems of Subject or Form, pp. 138-149
• Alessandro Tinterri: The Compagnia del Teatro d'arte directed by Luigi Pirandello 1925-1928, pp. 150-157
• Adolphus Turkson: The Concept and Development of the Performing Arts in Africa, pp. 156-168

Workshops

• Museums of the Performing Arts and Theatres, pp. 169-170
• Documentation and Theatre Criticism, pp. 171-173
• Lexicography of the Performing Arts, pp. 174-175

Commissions

• SANDAS, p. 179-180
• Audiovisuel Aids, p. 181
• Théâtre-Enseignement-Documentation, p. 182
• National Centers and National Committees, pp. 183-184

Final Plenary Session, pp. 187-193

Meeting of the New Council, pp. 197-199

Social Events, p. 203

Théâtres, p. 205

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