International Association of Libraries and Museums of the Performing Arts

Société Internationale des Bibliothèques et des Musées des Arts du Spectacle

Documentation et Art de l'Acteur

Records and Images of the Art of the Performer

Société Internationale des Bibliothèques et des Musées des Arts du Spectacle
International Association of Libraries and Museums of the Performing Arts
18ème Congrès International, Stockholm 3-7 septembre 1990
18th International Congress, Stockholm 3-7 September 1990
Editor: Barbro Stribolt (Drottningholms Teatermuseum). Stockholm : 1992, 163 p.

• Barbro Stribolt (Drottningholm Theatre Museum): Introduction, p. 7-8
• Bengt Göransson, Swedish Minister of Education and Cultural Affairs: Inaugural Address, p. 9-10

Conférences - Lectures

• William Green (United States): The Use of Legal Records in Reproducing Theatrical Performances, p.11-16
• Per Bjurström (Sweden): Louis Jean Desprez and his Sicilian Recollections, p. 17-22
• Marie Françoise Christout (France): Comment conserver la mémoire de l'expression dramatique dans l'art de la danse? Divers types de source documentaires, p. 23-27
• Erik Näslund (Sweden): At the Vanishing Point: Images of Dance in Archives and on Stage, p. 28-32

Communications - Papers

Section I: Dance

• Peter Basset (Great Britain): Creating an Indexing System for Periodical Articles on a Personal Computer, p. 33-34
• Jane Pritchard (Great Britain): Showing off Les Ballets 1933, p. 35-38
• Mirka Pavlovic (Yugoslavia): The Art of the Performer as Described in Ancient Indian Theatrical Treatise Natya Sastra, p. 39-42
• Norma Sue Fisher-Stitt (Canada): The Missing Link: Using Class Notes to Document Advances in Late-Nineteenth-Century Ballet Technique, p. 43-48

Section II: Historique - Historical

• John H Astington (Canada): Callot's Etchings and Illustrations of the English Stage in the Seventeenth Century, p. 49-52
• Jérôme de La Gorce (France): Opéras et mascarades en France sous Louis XIV: Recherches sur l'interprète et son costume à travers les source iconographiques, p. 53-56
• Bent Holm (Denmark): Roy Soleil and Prince Mardy Gras. An Interpretation of the Arlequin Jason Prints in the Copenhagen Recueil Fossard, p. 57-62
• Paul S. Ulrich (Germany): German Theatre Almanacs and Yearbooks of the 19th Century as Sources for Documenting Theatrical Activities of Touring Performers, p. 63-68
• Kristine Hecker (Italy): The Art of Acting in Past Centuries: Reconstructing what could not be preserved, p. 69-76
• Kari Gaarder Losnedahl (Norway): What may Stage-props convey about the Art of Acting, p. 77-82

Section III: Les Souvenirs - Memorabilia

• Sinisa Janid (Yugoslavia): La collection des mémoires au Musée du Théâtre Serbe à Belgrade, p. 83-86
• André Veinstein (France): Acteurs pour; acteurs contre la documentation, p. 87-88
• Nadezda Mosusova (Yugoslavia): The Art of the Acting Singer illustrated by Rajisic's TV Opera Diary of a Madman, p. 89-92
• Lisbet Grandjean (Denmark): How to Revive a Myth, p. 93-94
• Ragnhild Nygaard (Norway): Performers Rights in Respect of the Recording of Live Performances, p. 95-97

Section IV: Méthode - Method

• Dana Sliukova (Czechoslovakia): Records and Images of the Art of the Performer in Czechoslovakia, p. 99-102
• Richard M Buck (United States): The Organization, Preservation and Use of Performance Images in Theatrical Photographic Collections, p. 103-106
• Francesca Franchi (Great Britain): Images in the Collection of the Royal Opera Archives; their Preservation and Use, p. 107-110
• Natalija Ezdina (USSR): Report on behalf of the State Central Library in Moscow, p. 111
• Hanna Helavuori (Finland): Theatre Museum and Frankensteins: How to Prevent Snow from Melting, p. 112-114
• Inga Lewenhaupt (Sweden): Utopia for Research on the Art of Acting, p. 115

Section V: Moderne - Modern

• Ulrike Riss (Austria): The Search for New Realities in the Theatre, p. 119-121
• Sven Ake Heed (Sweden): Documentation et interpretation. Jungfruleken (Les Bonnes) de Jean Genet au Théâtre Royal Dramatique de Stockholm en 1948, p. 123-129
• Jacqueline Martin (Sweden): Voice in Modern Theatre, p. 131-134
• Konstanze Mach-Meyerhofer (Germany): Problems of Describing Acting in Theatrical and Musical Productions in the GDR, p. 135-138

Commissions permanents - Permanent Commissions

• Minutes of the Blue Book Commission, p. 139
• TANDEM - EDP System specification for selection of hardware and software, p. 140-144

Assemblée général - General Assembly

• Minutes of the General Assembly, p. 145-149
• Proposals for changing the rules of SIBMAS, p. 150
• Situation financière - Financial Situation, p. 151-152

Participants, p. 154-163

URL: http://www.sibmas.org/congresses/sibmas90/sibmas90.html

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