International Association of Libraries and Museums of the Performing Arts

Société Internationale des Bibliothèques et des Musées des Arts du Spectacle

Documents et Témoignages des Arts du Spectacle: Pourquoi et Comment?

Collecting and Recording the Performing Arts: Why and How?

20e Congrès International / 20th International Congress

Anvers, 4-7 Septembre 1994 / Antwerp, 4-7 September 1994

Acta. General editor/Editeur général Roger Rennenberg. Antwerpen : SIBMAS Vlaanderen, 1995. 138 p.

• Roger Rennenberg (Belgique/Belgium): One year later, by way of an introduction, p.7
• Roger Rennenberg (Belgique/Belgium): Un an après en guise d'introduction, p.9

  Discours inauguraux / Inaugural addresses

• Roger Rennenberg (Belgique/Belgium): Welcoming address, pp.13-15
• Jaak van Schoor (Belgique/Belgium): Inaugural address, pp. 17-19
• Margaret Benton (Grande-Bretagne/Great Britain): Evening address, p. 21
• Gerard Bergers (Belgique/Belgium): Opening address, pp. 23-24

Session I
Qui sommes nous? Qui sont nos utilisateurs? Qu'attendent-ils de nous?
Who are we? Who are our users? What do they want from us?

• Hanna-Leena Helavouri (Finlande/Finland):
  Theatre Museums Faced with a Paradox: Don't just sit on your assets, pp. 27-28
• Jane Pritchard (Grande-Bretagne/Great Britain):
  Users of Dance Company Archives, pp. 29-30
• Sidney Jackson Jowers (Grande-Bretagne/Great Britain):
  Report from a Reader: A View from the Stacks, p. 31
• Peter Bassett (Grande-Bretagne/Great Britain):
  Who are my users - what do they want? The Library of the Laban Centre for Movement and Dance, pp. 32-33
• Winrich Meiszies (Allemagne/Germany):
  A Theatre Museum for the Citizen: Local theatre-historiography as socio-cultural research and documentation. Some ideas for a permanent exhibition of the Theatermuseum der Landeshauptstadt Düsseldorf, pp. 34-36

Session II
Collecter pour le 21e siècle: Nouvelles voies? (Méthodes, types de documents, déontologie)
What to collect for the 21st century? (Methods, Materials, Ethics)

• Lisbet Grandjean (Danemark/Denmark):
  "Hamlet" on view in 2020 - A vision of the future, pp. 39-40
• Claudette Joannis (France):
  La problématique des costumes pour un musée ou une bibliothèque consacrée aux arts du spectacle, pp. 41-43
• Oskar Pausch (Autriche/Austria):
  Collecting Nestroy, pp. 44-49
• Paul S. Ulrich (Allemagne/Germany):
  The Dichotomy of Information Management: Can we control the flood or are we doomed to drown?, pp. 50-54
• Jürgen Kirschner (Allemagne/Germany):
  Information AND Documentation. A step into the 21st century, pp. 55-56
• Nadezda Mosusova (Yougoslavie/Yugoslavia):
  The Importance of Collecting the Russian Emigration Theatrical Material in View of the Influence the Emigres Exerted on the World Art and Culture, pp. 57-59

Session III
Quelles orientations pour la SIBMAS?
Which way SIBMAS?

• Peter Bassett (Grande Bretagne/Great Britain):
  Which way SIBMAS?, pp. 63-64
• André Veinstein (France):
  La SIBMAS hors congrès, pp. 65

Session IV
Enregistrements en vidéo Pourquoi? Comment? Longévité du support? Objectivité de l'enregistrement?
Video Recording: Why? How? Will it last? A true record?

• Betty Corwin (Etats-Unis/USA):
  Theatre on film and tape archive, pp. 69-73
• Peter Bassett (Grande-Bretagne/Great Britain):
  The use of video in a dance library: The Laban Centre for Movement and Dance, pp. 74-75
• Nicole Leclercq (Belgique/Belgium):
  La captation de spectacles en vidéo aux Archives et Musée de la Littérature (Bruxelles), pp. 76-79
• Liliana Alexandrescu (Pays-Bas/The Netherlands):
  L'espace théâtral en vidéo. Reflexions d'un metteur en scène, pp. 80-82
• Anita Bednarz (France):
  Point de vue du chercheur. L'espace théâtral mediéval de Kalwaria Zebrzydowska (Pologne), pp. 83-86
• Benton, Margaret (Grande-Bretagne/Great Britain):
  A plain guide to video-recording performance, pp. 87-94
• Silina Tamara (Russie/Russia):
  The work with videorecording in the Russian State Arts Library, p. 95
• Christiane Wandke - Rainer Lindemann (Allemagne/Germany):
  Video Recording: Why? How? Will it last? A true record?, pp. 96-99

Session Va
Documentation et Informatique: Miracle ou désastre?
Electronic Documentation: Breakthrough or breakdown

• Cécile Pocheau (France):
  L'informatique au Département des Arts du spectacle de la Bibliothèque Nationale de France: contexte, contraintes et perspectives, pp. 102-104
• Catherine J. Johnson (Etats-Unis/USA):
  Access to Dance Research Resources: A Proposal to the National Endowment for the Humanities, p. 105
• Willem Rodenhuis (Pays-Bas/The Netherlands):
  Can SIBMAS survive in our today's global village?, pp. 106-107
• Jürgen Kirschner (Allemagne/Germany):
  Coordination and standardisation. Two assumptions for communication, pp. 108-109
• Ida Kolganova (Russie/Russia):
  The data base "The Plays in Russia. XVIII-XX Centuries", p. 110
• Margret Schild (Allemagne/Germany):
  Considerations for developing an electronic theatre information system

Session Vb
Services payants: Peut-on le faire? Doit-on le faire?
Fee-based services: should we charge? Must we charge?

• Claire Hudson (Grande-Bretagne/Great Britain):
  Charging for information services in UK Museums & Libraries, pp. 113-115

Assemblée générale / General Assembly

Minutes of the General Assembly of SIBMAS on Wednesday, 7 September 1994 in the Bourla Theatre, Antwerp, pp. 119-121

• Annexe 1:Situation de la Trésorerie de la SIBMAS, pp. 122-123
• Annexe 2:Report of Blue Book Commission, pp. 124-125
• Annexe 3:Compte-rendu de la Commission PADOC, p. 126
• Annexe 4:Report of the subcommittee on SIBMAS rules revision, pp. 127

André Veinstein (France): 1954-1994: 20 Conférences. Creation et activites de la Société internationale des Bibliothèques et Musées des Arts du Spectacle (SIBMAS), pp. 129-131

Participants, pp. 133-138

URL: http://www.sibmas.org/congresses/sibmas94/sibmas94.html