Performing Arts Collections: Virtual, Dead or Live?
22nd International Congress
London, 1 - 4 July 1998
Genista McIntosh (Great Britain): Keynote Address
IT on Stage
- Diane Willmott and Simon Baker (Great Britain): Closer
- Peter Morris (Great Britain): But Verdi Didn't Need IT
- Tony Bond (Great Britain): Computers and the Theatre Technician
- Chris Dyer (Great Britain): Virtual Stages
- Montserrat Alvarez-Masso (Spain): CATS (Computer Aided Theatrical Score)
Video Recording the Performing Arts
- Jill Evans (Great Britain): When a Performance is over, what remains ... ?
- Alan Butland (Great Britain): Letting in the Light
- Danieel Van Meerhaeghe (Belgium): Les Solutions adoptées pour la captation "vidéos
d'archive"
- Elizabeth Lyon (Great Britain): PATRON - Digital Audio and Video On-demand for the
Performing Arts
- Celia Duffy (Scotland): The Performing Arts Data Service
- Chris Turner (Great Britain): Managing Mixed Collections: Crossing Domains with Adlib
- Marily Deegan: Unlocking the Vaults: Digitization of Image Archives for Access and
Dissemination
- Bruce Royan (Scotland): Digitising Culture: The SCRAN Project
- Janine Barrand (Australia): Staying Alive: Multimedia at the Performaing Arts Museum,
Melbourne
- Emilia Nittymäki-Pajulahti and Pälvi Laine (Finland):
The Digitization System of Collections at the Theatre Museum, Helsinki
- James Stevenson: Digital Picture Library at the Victoria and Albert Museum
- Christof Zurn: "Les Misérables": Climbing the Digital Ladder
- Richard Beacham (Great Britain): "Virtually There" - The THEATRON Project:
Theatre History in Europe: Architectural and Textual Resources Online
- Jan Van Goethem (Belgium): CARMEN Project at the De Munt/Le Monnaie Theatre, Brussel
- Andrew Prescott and Leona Carpenter (Great Britain): The British Library's Digital
Library
- Seamus Ross (Scotland): Preserving Digital Resources
- Ian Wordswort and Keith Bishop (Great Britain): The Next Five Years
Participants
URL: http://www.sibmas.org/congresses/sibmas98/sibmas98.html
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