SIBMAS - International Association of Libraries and Museums of the Performing Arts

Index of all talks given at SIBMAS Congresses 1959-2004

Listed below are all the talks from the SIBMAS Congresses from 1959 to 2004, arranged by the person who gave the talk. Under the names of the authors, the arrangement is chronological.

A B C D E F G H I J K L M N O P R S T U V W Z

M

Mach-Meyerhofer, Konstanze (Germany)

• Problems of Describing Acting in Theatrical and Musical Productions in the GDR. 18, Stockholm, 1990, pp. 135-138

Mañé, M. (Spain)

• De quelle façon les visites actives des écoliers au musée du Théâtre de Barcelone peuvent s'inscrire dans le cadre del tâches de récupération de l'identité culturelle catalana. 13, Barcelona, 1978, pp. 61-63

Marcerou, Philippe (France)

• La médiathèque de Vaise: à la veille de l'ouverture. 23, Paris, 2000, pp. 48-52

Marini, Francesca (USA)

• The Interaction between Theater Scholars and Information Professionals. 25, Barcelona, 2004

Markovic', Olga (Yugoslavia)

• Creative Freedom, Openness of the Theatre Arts and Protection of Cultural Property in the Socialist Republic of Serbia. 17, Mannheim, 1988. pp. 157-159

Martin, Jacqueline (Sweden)

• Voice in Modern Theatre. 18, Stockholm, 1990, pp. 131-134

Mátral, László (Hungary)

• Discours d'ouverture. 8, Budapest, 1967, pp. 6-7

Mayerhöfer, Josef (Austria)

• The founding of an Austrian Theatre Museum. 10, Brussels, 1972, pp. 66-68
• Opening address. 12, Vienna, 1976, pp. 11-12

Maynés i Tolosa, Pau (France)

• Le traitement de conservation-restauration del l'Acrobate de Jean Laurent. 23, Paris, 2000, pp. 75-84

McConachie, Bruce (USA)

• Performance History on CD-ROM. 21, Helsinki, 1996

McDowell, John H. (USA)

• The Ohio State University Theatre Collection, Statement of operation and acquisition. Procedures for processing microfilm. 5, Paris, 1961, pp. 91-94
• An automation plan for theatre research in the Ohio State University Theatre Collection. 6, Munich, 1963, p. 23
• The Ohio State University Theatre Collection: a working and teaching film collection. 7, Amsterdam, 1965, pp. 62-63
• Spectacular Effects in the Tempest: a study based on methods and materials from the Ohio State University Theatre Collection. 8, Budapest, 1967, pp. 30-3
• Research procedures in the Ohio State University Theatre Research Institute. 10, Brussels, 1972, pp. 21-24

Meder, Werner (Germany)

• Demonstration of the Theatre Information System. 14, Belgrad, 1980, pp. 97-102

Meiszies, Winrich (Germany)

• "Dem Weinkenner die Etiketten zeigen"? Ausstellungstätigkeit und museumspädagogische Arbeit im Theatermuseum. 17, Mannheim, 1988, pp. 111-114
• A Theatre Museum for the Citizen: Local theatre-historiography as socio-cultural research and documentation. Some ideas for a permanent exhibition of the Theatermuseum der Landeshauptstadt Düsseldorf. 20, Antwerp, 1994, pp. 34-36

Melischek, Gabriele

• A Documentary system for television archives. 12, Vienna, 1976, pp. 57-64

Mennes, François (Belgium)

• Bibliographie internationale des arts du spectacle. 7, Amsterdam, 1965, pp. 21-26

Mercader i Capella, Antoni (Spain)

• De quelle façon les visites actives des écoliers au musée du Théâtre de Barcelone peuvent s'inscrire dans le cadre del tâches de récupération de l'identité culturelle catalana. 13, Barcelona, 1978, pp. 61-63
• Expérience pilote d'enseignement d'audiovisuel magnétique pour éléves de B.U.P.. 13, Barcelona, 1978, pp. 64-68

Merilahti, Tom (Finland)

• How to Sell Your Products and Raise Additional Funds?. 21, Helsinki, 1996

Milanovic, Olga (Yugoslavia)

• The Museums and our Section. 4, Warsaw, 1959, pp. 21-25
• Documentation in the service of practice, Documentation, the outcome of practice. 8, Budapest, 1967, pp. 92-9
• Some Experience in Collection of Documents on Theatre Scenery from the Past. 15, New York, 1982, pp. 41-42

Mintz, Nina (USSR)

• Theatrical museums in the Soviet Union. 8, Budapest, 1967, pp. 88-91
• Quelques questions du travail de collectionnement et d'exposition des musées ouverts auprès de théâtres de l'U.R.S.S. 9, Genoa, 1970, pp. 61-70
• Utilisation de documents audio-visuels dans les musées soviétique des arts du spectacle. 10, Brussels, 1972, pp. 24-28
• Theatre Museum displays and their importance to the theatre practice. 11, Copenhagen, 1974. pp. 40-46
• La place des musées des arts du spectacle dans la culture contemporaine. 13, Barcelona, 1978, pp. 40-50

Molnár, János (Hungary)

• Discours d'ouverture. 8, Budapest, 1967, pp. 5-6

Morris, Peter (United Kingdom)

• But Verdi Didn't Need IT. 22, London, 1998

Mosusova, Nadezda (Yugoslavia

• The Staging of Film and Television Opera. 14, Belgrad, 1980, pp. 58-61
• Influence of Stage Design on Music/Drama. 15, New York, 1982,. pp. 49-54
• The Documentary Value of Theatrical Collections for Staging Classical and/or Historical Plays by Yugoslav Authors?. 16, London, 1985. pp. 81-84
• The Importance of the Archives of the Belgrade Musicological Intitute in Historical Research into Slavonic Musical Theatre. 17, Mannheim, 1988, pp. 160-163
• The Art of the Acting Singer illustrated by Rajisic's TV Opera Diary of a Madman. 18, Stockholm, 1990, pp. 89-92
• The Importance of Collecting the Russian Emigration Theatrical Material in View of the Influence the Emigres Exerted on the World Art and Culture. 20, Antwerp, 1994, pp. 57-59

Moudouès, Rose-Marie (France)

• La Documentation photographique. 4, Warsaw, 1959, pp. 12-14

Mullin, Michael (USA)

• Design by Motley: A Theatre and Costume Arts Collection. 15, New York, 1982, pp. 14-29
• Design by Motley: A Case Study (1980-1996). 21, Helsinki, 1996

N

Naess, Trine (Norway)

• The Heritage of Ibsen. 16, London, 1985, pp. 46-49

Näslund, Erik (Sweden)

• At the Vanishing Point: Images of Dance in Archives and on Stage. 18, Stockholm, 1990, pp. 28-32

Negrete, Enid (Mexico)

• L’archive du Teatro Real Collection Paris. 25, Barcelona, 2004

Nichols, Madeleine (USA)

• The Dance Collection, New York Public Library. 25, Barcelona, 2004

Niemi, Irmeli (Finland)

• From Aberdeen to Ögzyp - My Life with Computers. 21, Helsinki, 1996

Nikolic, Milena(Yugoslavia)

• Les problèmes de conservation des documents sur le théâtre contemporain. 5, Paris, 1961, pp. 73-74
• Phonotheken und Schallplattenindustrie. 6, Munich, 1963, pp. 35-36
• Organisation d'une discothèque: problèmes de conservation et de catalogage. 7, Amsterdam, 1965, pp. 71-74

Nittymäki-Pajulahti, Emilia (Finland)

• The Digitization System of Collections at the Theatre Museum, Helsinki. 22, London, 1998

Noelle, Eckehart (Germany)

• Theaterausstellungen und ihr Publikum - Erfahrungen und Erkenntnisse. 17, Mannheim, 1988, pp. 115-118

Nygaard, Ragnhild (Norway)

• Performers Rights in Respect of the Recording of Live Performances. 18, Stockholm, 1990, pp. 95-97

O

Obermann, Leopold (Austria)

• Opening address. 12, Vienna, 1976, pp. 20-22

Öhman, E. (Netherlands)

• The Universal Decimal Classification (UDC) and theatre. 7, Amsterdam, 1965. pp. 59-61

Oliveira Barata, José de (Portugal)

• La mémoire: Une forme de courage. 19, Lisbon, 1992, pp. 21-24

Olivier, Brigitte (France)

• Le musée du Théâtre forain d'Artenay (Loiret). 23, Paris, 2000, pp. 53-60

Ortolani, Benito (USA)

• The Audio-Visual Encyclopedia of World Performance. 12, Vienna, 1976, pp. 30-35

Oswald, Geneviève

• Archive of the dance: creating a resource of audio-visual documentation on the art of the dance. 10, Brussels, 1972, pp. 52-59

Ottai, Antonella (Italy)

• Theatre Collections and their Relationship to Scientific Research. 17, Mannheim, 1988, pp. 164-166

Özgü, Melâhat (Turkey)

• Les premières bibliographies du théâtre turc. 8, Budapest, 1967, pp. 83-84

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Last modified: 25/01/2005