SIBMAS - International Association of Libraries and Museums of the Performing Arts


Index of all talks given at SIBMAS Congresses 1959-2004


Listed below are all the talks from the SIBMAS Congresses from 1959 to 2004, arranged by the person who gave the talk. Under the names of the authors, the arrangement is chronological.

A B C D E F G H I J K L M N O P R S T U V W Z


T

Tindemans, Carlos

Tinterri, Alessandro (Italy)

  • The Compagnia del Teatro d'arte directed by Luigi Pirandello 1925-1928. 14, Belgrad, 1980, pp. 150-157

Tintori, Giampiero (Italy)

  • Alcune note su un manoscritto di Carlo Blasis. 9, Genoa 1970, pp. 27-32

Topa, Liliana (Rumania)

  • Romania Enregistrement audio-visuel des formes théâtrales archaïques en Roumanie. 10, Brussels, 1972, pp. 15-19

Torgne, Antra (USSR)

  • Theatre Collections and their Practical Contribution to the Actual Stage Production. 17, Mannheim, 1988, pp. 136-138

Treinen, Heiner (Germany)

Tremoulet, Valérie (France)

  • L'intervention de sauvetage d'une partie du fonds des décours de scène du petit théâtre Louis-Philippe du château de Compiègne. 23, Paris, 2000, pp. 115-122

Tuomi, Ikka (Finland)

Tuomola, Mike (Finland)

Turkson, Adolphus

  • The Concept and Development of the Performing Arts in Africa. 14, Belgrad, 1980, pp. 156-168

Turner, Chris (United Kingdom)

U

Ulrich, Paul S. (Germany)

V

Vagenas, Peter T. (USA)

  • Conserving Theatre Designs for the Record and for Exhibition: A Designer's Views. 15, New York, 1982, pp. 43-48

Van Goethem, Jan (Belgium)

Van Keulen, Hans (Netherlands)

  • The skill of acquisition, preservation and exhibition of theatre heritage?. 25, Barcelona, 2004

Van Meerhaeghe, Danieel (Belgium)

  • Les Solutions adoptées pour la captation "vidéo d'archive". 22, London, 1998

Van Schoor, Jaak (Belgium)

Vargas-Zuñiga, Lola (Spain)

  • Le modèle de gestion du Centro de Documentación de las Artes Escénicas de Andalucía. Des produits de qualité pour l’usager. 25, Barcelona, 2004

Veinstein, André (France)

Viala, Akakia (France)

  • La microfilmothèque au service de la documentation cinématographique. 5, Paris, 1961, pp. 83-86

Vidal, Pierre (France)

  • La Bibliothèque-musée de l’Opéra, carrefour entre deux institutions. 25, Barcelona, 2004

Vriesen, Hellmuth (Germany)

W

Wagener, Max (Netherlands)

Wandke, Christiane (Germany)

Wijers, Gaby (Netherlands)

Williams, Caroline (Ireland)

Willmott, Diane (United Kingdom)

Wolff, Helmuth Christian (Germany)

  • L'élaboration d'une bibliographie des documents illustrant l'histoire de l'opéra. 7, Amsterdam, 1965, pp. 29-30
  • L'importance de la documentation iconographique pour l'histoire de l'opéra. 9, Genoa, 1970, pp. 57-60

Woods, Alan (USA)

  • Reconstruction of Historic Performances for Modern Productions: Performance Research at the O.S.U. Theatre Research Institute. 11, Copenhagen, 1974, pp. 34-39
  • The McDowell Research Classification System for the Cataloguing of Scene and Costume Designs. 15, New York, 1982, pp. 30-35

Wordswort, Ian (United Kingdom)

Z

Zielske, Harald (Germany)

  • TANDEM: Some Introductory Remarks. 14, Belgrad, 1980, pp. 77-79
  • Some Original Early 19th Century Stage Decorations in the Ludwigsburg Court Theatre: Problems of Conservation and Presentation. 15, New York, 1982, pp. 91-94
  • Inaugural Address. 16, London, 1985, pp. 12-14

Zurn, Christof (United Kingdom)

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Last modified: 25/01/2005