{"id":8897,"date":"2018-03-15T16:48:56","date_gmt":"2018-03-15T16:48:56","guid":{"rendered":"http:\/\/www.sibmas.org\/?p=8897"},"modified":"2021-12-14T15:38:29","modified_gmt":"2021-12-14T15:38:29","slug":"publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique","status":"publish","type":"post","link":"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/","title":{"rendered":"Publication: Les Deux Corps de la danse"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>A fascinating study about literary and plastic representations of romantic ballet<\/strong><\/p>\n<p style=\"text-align: justify;\">Around 1830, the romanticism is well established on French and European stages. The ballet is a strong part of this aesthetic revolution. But how is the ballerina&#8217;s body considered?<\/p>\n<p style=\"text-align: justify;\">Les deux corps de la danse : imaginaires et repr\u00e9sentations \u00e0 l&#8217;\u00e2ge romantique<br \/>\nB\u00e9n\u00e9dicte Jarrasse<br \/>\nCentre national de la Danse, 2018<\/p>\n<p><a href=\"https:\/\/www.cnd.fr\/fr\/products\/606-les-deux-corps-de-la-danse\" target=\"_blank\" rel=\"noopener\">Find out more<\/a> (only in French)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A fascinating study about literary and plastic representations of romantic ballet Around 1830, the romanticism is well established on French and European stages. The ballet is a strong part of this aesthetic revolution. But how is the ballerina&#8217;s body considered? Les deux corps de la danse : imaginaires et repr\u00e9sentations \u00e0 l&#8217;\u00e2ge romantique B\u00e9n\u00e9dicte Jarrasse [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8928,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1],"tags":[],"acf":{"is_members_only_content":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Publication: Les Deux Corps de la danse - SIBMAS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publication: Les Deux Corps de la danse - SIBMAS\" \/>\n<meta property=\"og:description\" content=\"A fascinating study about literary and plastic representations of romantic ballet Around 1830, the romanticism is well established on French and European stages. The ballet is a strong part of this aesthetic revolution. But how is the ballerina&#8217;s body considered? Les deux corps de la danse : imaginaires et repr\u00e9sentations \u00e0 l&#8217;\u00e2ge romantique B\u00e9n\u00e9dicte Jarrasse [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/\" \/>\n<meta property=\"og:site_name\" content=\"SIBMAS\" \/>\n<meta property=\"article:published_time\" content=\"2018-03-15T16:48:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-12-14T15:38:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.sibmas.org\/wp-content\/uploads\/2018\/02\/cnd-e1520287761483.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"162\" \/>\n\t<meta property=\"og:image:height\" content=\"237\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admm8h\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admm8h\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/\",\"url\":\"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/\",\"name\":\"Publication: Les Deux Corps de la danse - SIBMAS\",\"isPartOf\":{\"@id\":\"https:\/\/www.sibmas.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.sibmas.org\/wp-content\/uploads\/2018\/02\/cnd-e1520287761483.jpg\",\"datePublished\":\"2018-03-15T16:48:56+00:00\",\"dateModified\":\"2021-12-14T15:38:29+00:00\",\"author\":{\"@id\":\"https:\/\/www.sibmas.org\/#\/schema\/person\/1a48e64d97e71fb89c1f7696219bac7b\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/#primaryimage\",\"url\":\"https:\/\/www.sibmas.org\/wp-content\/uploads\/2018\/02\/cnd-e1520287761483.jpg\",\"contentUrl\":\"https:\/\/www.sibmas.org\/wp-content\/uploads\/2018\/02\/cnd-e1520287761483.jpg\",\"width\":162,\"height\":237},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.sibmas.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Publication: Les Deux Corps de la danse\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sibmas.org\/#website\",\"url\":\"https:\/\/www.sibmas.org\/\",\"name\":\"SIBMAS\",\"description\":\"Soci\u00e9t\u00e9 Internationale des Biblioth\u00e8ques et des Mus\u00e9es des Arts du Spectacle\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.sibmas.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.sibmas.org\/#\/schema\/person\/1a48e64d97e71fb89c1f7696219bac7b\",\"name\":\"admm8h\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.sibmas.org\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/3750a5cfee4e5b21f56906e05509d44b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/3750a5cfee4e5b21f56906e05509d44b?s=96&d=mm&r=g\",\"caption\":\"admm8h\"},\"sameAs\":[\"https:\/\/www.sibmas.org\/\"],\"url\":\"https:\/\/www.sibmas.org\/author\/test\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Publication: Les Deux Corps de la danse - SIBMAS","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/","og_locale":"en_US","og_type":"article","og_title":"Publication: Les Deux Corps de la danse - SIBMAS","og_description":"A fascinating study about literary and plastic representations of romantic ballet Around 1830, the romanticism is well established on French and European stages. The ballet is a strong part of this aesthetic revolution. But how is the ballerina&#8217;s body considered? Les deux corps de la danse : imaginaires et repr\u00e9sentations \u00e0 l&#8217;\u00e2ge romantique B\u00e9n\u00e9dicte Jarrasse [&hellip;]","og_url":"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/","og_site_name":"SIBMAS","article_published_time":"2018-03-15T16:48:56+00:00","article_modified_time":"2021-12-14T15:38:29+00:00","og_image":[{"width":162,"height":237,"url":"https:\/\/www.sibmas.org\/wp-content\/uploads\/2018\/02\/cnd-e1520287761483.jpg","type":"image\/jpeg"}],"author":"admm8h","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admm8h"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/","url":"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/","name":"Publication: Les Deux Corps de la danse - SIBMAS","isPartOf":{"@id":"https:\/\/www.sibmas.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/#primaryimage"},"image":{"@id":"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/#primaryimage"},"thumbnailUrl":"https:\/\/www.sibmas.org\/wp-content\/uploads\/2018\/02\/cnd-e1520287761483.jpg","datePublished":"2018-03-15T16:48:56+00:00","dateModified":"2021-12-14T15:38:29+00:00","author":{"@id":"https:\/\/www.sibmas.org\/#\/schema\/person\/1a48e64d97e71fb89c1f7696219bac7b"},"breadcrumb":{"@id":"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/#primaryimage","url":"https:\/\/www.sibmas.org\/wp-content\/uploads\/2018\/02\/cnd-e1520287761483.jpg","contentUrl":"https:\/\/www.sibmas.org\/wp-content\/uploads\/2018\/02\/cnd-e1520287761483.jpg","width":162,"height":237},{"@type":"BreadcrumbList","@id":"https:\/\/www.sibmas.org\/2018\/03\/15\/publication-les-deux-corps-de-la-danse-imaginaires-et-representations-a-lage-romantique\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.sibmas.org\/"},{"@type":"ListItem","position":2,"name":"Publication: Les Deux Corps de la danse"}]},{"@type":"WebSite","@id":"https:\/\/www.sibmas.org\/#website","url":"https:\/\/www.sibmas.org\/","name":"SIBMAS","description":"Soci\u00e9t\u00e9 Internationale des Biblioth\u00e8ques et des Mus\u00e9es des Arts du Spectacle","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.sibmas.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.sibmas.org\/#\/schema\/person\/1a48e64d97e71fb89c1f7696219bac7b","name":"admm8h","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.sibmas.org\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/3750a5cfee4e5b21f56906e05509d44b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3750a5cfee4e5b21f56906e05509d44b?s=96&d=mm&r=g","caption":"admm8h"},"sameAs":["https:\/\/www.sibmas.org\/"],"url":"https:\/\/www.sibmas.org\/author\/test\/"}]}},"_links":{"self":[{"href":"https:\/\/www.sibmas.org\/wp-json\/wp\/v2\/posts\/8897"}],"collection":[{"href":"https:\/\/www.sibmas.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sibmas.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sibmas.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sibmas.org\/wp-json\/wp\/v2\/comments?post=8897"}],"version-history":[{"count":1,"href":"https:\/\/www.sibmas.org\/wp-json\/wp\/v2\/posts\/8897\/revisions"}],"predecessor-version":[{"id":12165,"href":"https:\/\/www.sibmas.org\/wp-json\/wp\/v2\/posts\/8897\/revisions\/12165"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sibmas.org\/wp-json\/wp\/v2\/media\/8928"}],"wp:attachment":[{"href":"https:\/\/www.sibmas.org\/wp-json\/wp\/v2\/media?parent=8897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sibmas.org\/wp-json\/wp\/v2\/categories?post=8897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sibmas.org\/wp-json\/wp\/v2\/tags?post=8897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}